Exemplar Based Insounding
Soundpower — Experemental 01:25
Asservat — Extensive Evidence 06:09
Exemplar Based Insounding — Bells 2 01:12
London Modular — Concerning Irregular Figures 04:38
Evidence — Braille 01:33
Gramatik — Orchestrated Incident 06:28
Schlichting — Evocative Connotations 04:31
Evocation — Blind Obedience 01:48
Effused — Stereophonic 04:01
Exemplar Based Insounding — O Fortuna/ Bells 01:33
Jeff Boomhauer — Indicative Speech 03:20
The Intimate Orchestra — Bright Eyes 04:14
ESound — Bad Intentions 02:55
Mouth Of the Architect — Harboring an Apparition 07:54
The meaninglessness of existence, and therefore freedom — Incur 928 Invariably 513 Extensive 161 Barrow 111 Wedding 549 Substantive 02:01
Pilates Music — Erudition's Esteemed Entendre 02:35
Cat Relaxing Master — Exemplar 02:00
Excision Intervention — Imaginary Epochal 01:35
Exploding Star Orchestra — Impression no. 1 06:33
Dog Calming Music — Examinatory Exemplar 02:07
Sopor Aeternus & The Ensemble Of Shadows — Birth - Fiendish Figuration (Demo, Version 2) 05:28
Indecent Obsession — Fixing A Broken Heart 03:35
Fred Frith, Ensemble Modern — Inadvertent Introduction 00:54
Sensitive ASMR — Opportunity Noise, Pt.11 03:00
Emmanuelle Haïm — Bach, JS: Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis" 03:01
The Intimate Orchestra — Bright Eyes 04:15
ARTSOUND — Inspiration 01:50
Jumpstreet, Ingrained Instincts — Exponential Mindset 08:09
BEING — Unexpected 03:04
Source Vibrations — Elevated Perceptive Analysis 02:25
Ambient Music Collective — Exceedingly Exceptional 02:05
Concerning Behaviors — Apparition 03:05
Empire Of Excellence — Observer 02:39
Arrange Atristic — Scintillating Exhilarating Unexpected 01:53
Adulterated — Expecting Eyeless 02:19
Evident — Observing Stars 02:58
Brazilian Jazz Essentials — Brilliant Instrumental Music for Elegant People 02:15
Avslappning Sound, Yoga Soul, Sample Rain Library — Enlightened Feelings 02:14
Sonata Arctica — Instrumental Exhibition 03:36
Exploding Star Orchestra — Ascension Ghost Impression no. 2 20:14