Thomas Adès
Thomas Adès — Arcadiana: IV. Et... (tango mortale) 03:53
Thomas Adès — Still sorrowing Op. 7 09:54
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager) 08:07
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: But now I have heard something new (Judge) 03:46
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Ha ha ha ha...(Paper chase) (Mistress/Duke) 02:18
Thomas Adès — A megvadult lenhajú láng 01:17
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did she?...Of course she did (Rubberneckers) 03:09
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 4: Nineteen thirty-six: ...mm..ah!...Room service? 03:23
Thomas Adès — Piano-Rag Music 03:08
Thomas Adès — Violin Concerto, "Concentric Paths": I. Rings 03:58
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Take it from me (Duchess/Electrician/Maid) 05:06
Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd — The Origin of the Harp, Op.13 (1994): IV. [untitled] 02:29
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: I'd like to make one thing entirely clear 03:06
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke) 05:07
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? 05:43
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Did you hear - What he said? (Rubberneckers) 01:44
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: That will do. You may go (Duchess) 04:44
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: So that is all (Duchess/Rubberneckers) 05:09
Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd — The Origin of the Harp, Op.13 (1994): II. Largo con moto 02:06
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8: Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager) 06:34
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: I see. This is what it has come to 02:51
Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Thomas Adès, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd — The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo 02:13
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Fancy, fancy being rich (Waitress) 04:45
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Are you saying the Duchess is a whore? 04:57
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: Of course she's done well 02:14
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy) 04:11
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 4: Nineteen thirty-six: What have you got there? 03:08
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2: Nineteen thirty-four: I could never grow bored of dukedoms (Confidante/Lounge Lizard/Duchess) 01:52
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1: Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician) 04:12
Thomas Adès - Violin Concerto "Concentric Paths", op. 24 [2005] — Anthony Maarwood, violin,The Chamber Orchestra of Europe,Thomas Adès - conductor. Koln, 22 May 2010 20:57
Thomas Adès — Powder Her Face (chamber opera in 2 acts) Scene 5 - Nineteen fifty-three - Is Daddy squiffy 05:25
Thomas Adès — Powder Her Face (chamber opera in 2 acts) Scene 2 - Nineteen thirty-four - Of course she's done well 02:06
Ian Bostridge/Ruby Philogene/Thomas Adès — Janacek: The Diary of One Who Disappeared, JW V/12: No. 3, Andante "Svatojanské musky" 01:49
Ian Bostridge/Ruby Philogene/Thomas Adès — Janacek: The Diary of One Who Disappeared, JW V/12: No. 9, Andante "Vita, Janicku" 02:16
Ian Bostridge/Ruby Philogene/Thomas Adès — Janacek: The Diary of One Who Disappeared, JW V/12: No. 22, Andante "Sbohem, rodny kraju" 02:04
Thomas Adès — Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre) 02:43
Thomas Adès — Adès: Violin Concerto, "Concentric Paths": III. Rounds 05:23
Thomas Adès/Jill Gomez/Almeida Ensemble/Valdine Anderson/Niall Morris/Roger Bryson — Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Order. Silence 05:29
Thomas Adès — Powder Her Face (chamber opera in 2 acts) Scene 3 - Nineteen thirty-six - Fancy, fancy being rich 04:28
Thomas Adès feat. City of Birmingham Symphony Chorus, Susan Bickley — Adès: America, a Prophecy, Op. 19: Pt. 2 "Burn, Burn, Burn" 05:56